The Films of Tamakichi Anaru as the Extreme Degree of Extreme Cinema
Tamakichi Anaru’s films stand as extreme cinema’s vanishing point: beyond them lies only silence or madness.
Metacinema and Pornopolitics in A Serbian Film
A Serbian Film* uses its metacinematic framework to dissect pornopolitics as a mechanism of control.
Cinema and Video
Queer Necrophilia: Transgression and Desire in Jörg Buttgereit's Nekromantik Dilogy
Traditional horror punishes transgression; here, necrophiles are protagonists, their desires centralized rather than vilified.